Tungsten Lights
Open face lights - Redhead 300 watts is a tungsten-halogen
quartz fixture made from high quality lightweight aluminum with high efficiency
aluminized reflector that provides high intensity in a small package. These
type of fixtures are well known for their durability in time, portability and
luminous efficiency. For use in Television news coverage, and Television film
commercials as well in motion picture and industrial film. Excellent for use in
small TV studios or stages in schools and universities. You can use this light
on location to bounce into ceilings, into walls, or into bounce cards to obtain a soft ambient in the room and also
this is an ideal instrument to attach a small or an extra small chimera light
bank for a soft fill or a beautiful key light.
Fresnel lights -
Fresnel 300 watts is the ideal, compact and lightweight fixture to work
with, being designed to create a relatively even field of light. Short focal
length lenses with wider angles give more light output and better light
distribution over the full beam area. The adjustable focus makes it quick and
easy to obtain the desired intensity or beam width so you can use it in flood
position to get clean, hard shadows or in spot position when even light is
desired. Wide range of accessories available: barndoors, filter frame, scrims,
snoot, safety cable, speed-ring adapters and softboxes. Fresnel lights are the
most commonly used lighting fixtures on the TV and film production sets.
Spacelight - 3K
consists of three 1K nook lights configured like spokes of a wagon wheel,
pointing down into the white diffusion silk cylinder. At the bottom of silk
cylinder is a round diffusion ring to which a diffusion material or gel can be
clipped. The lamps can be individually controlled either on a dimmer or by
individual on/off switches at the distribution point. The Space Light provides
overall scattered light for interior scenes. Excellent for 'exterior' settings
where they simulate skylight, or large-area lighting; its use for most
interiors is questionable. Spacelights are commonly hung throughout a very
large set to fill the space with a general soft overhead illumination. The
white silk skirt can be used for a multi-directional chinese lantern look. The
black silk skirt can be used to direct that soft light downward creating a pool
of soft light.
HMI & CDM
Fresnel Lights - Compact 200 HMI light is a compact, rugged,
high output Fresnel designed for use in the TV/Film industries where an intense
even field of light with sharp cutting capabilities is desired. Utilizing the
compact single ended line of Metal-Halide lamps (HMI*), the luminaire delivers
excellent daylight quality from a small, compact package and is useful in any
situation where daylight color balance is required. The Cinelight Compact 200
is focusable from spot to flood and can be used as a daylight booster,
keylight, or fill-light. The Cinelight Compact construction of corrosion
resistant extruded and die cast aluminum maximizes body strength while
maintaining the light weight of an ideal location fixture. Despite the small
size, short focal length lenses with wider angles give more light output and
better light distribution over the full beam area. The Cinelight HMI electronic
ballasts provide the latest standards in ballast technology. Flicker free, low
noise, high output, this ballast is ideal for most demanding. A rugged and
compact design offers easy handling in the field. Safety circuits such as
over-voltage, over-temperature and short-circuit protection gives safe and reliable
operation dimming to 50% of full power. Active Line Filter (A.L.F.) and P.F.C
assures consistent color output, despite dimming, or main voltage fluctuations.
Universal voltage at a switch of a button and flicker free mode. Compatible
with all 200W Fresnel and PAR units.
For transportation it is included a hard case that can accommodate the
HMI Fresnel lamp head, electronic ballast, power cable and barndoors. HMI
fixtures provide a daylight-balanced light, which is essential in many cases
(for example, when an artificial light needs to mix with natural daylight or
when tungsten-balanced scenes require blue “moonlight”). Another common
application is making sunlight effects through window, both on location and
inside a studio. They may be put through diffusion or bounced to create a
large, bright soft source.
Par Lights - The
Cinelight PAR HMI lights are fantastic instruments on location. These fixtures
can be used to light background elements, diffused or bounced into a white
sheet for soft fill to light talents (PAR lamps are usually too hard sources
for lighting faces). PAR lights are more
efficient than Fresnels, and they deliver a strong punch of light with a longer
throw.
These lighting instruments are commonly used to light large
spaces at night, giving a little more depth to
the night scenes, and also in situations requiring a far reaching,
intense beam. Whenever punch or bounce light is required on a set, the
Cinelight PAR is the ultimate answer.
PAR lights have
clear, UV protective glass in front and require separate spreader lenses to be
placed in front for wide flood, medium flood, spot and narrow spot variations,
in order to obtain the desired beam configuration. The spreader lenses affect
both the shape and angle of the beam. The lens are available to purchase
separately. As with any HMI fixture, The Cinelight HMI PAR light requires a
ballast in order to function. The Cinelight HMI ballasts provide the latest
standards in ballast technology: flicker free at any frame rates, low noise,
high output, dimmable by 50% of the output light, active line filter (A.L.F) and power factor
correction (P.F.C), all this make this
ballast ideal for most demanding. A rugged and compact design offers easy
handling in the field. A hard plywood case it is included for transportation.
The case accommodates the HMI PAR lamp head, electronic ballast, power cable
and barndoors.
Fluorescent Lights
Studio Lights - Studio Cool fluorescent lighting systems are
the newest way to have continuous lighting in your studio without the
incredible heat generated by the old tungsten lights. Studio Cool 4 x 55W is a
soft light source, having constant color temperature and low energy consume
without heat radiation. The unit is equipped with smooth, long life, high
luminous efficiency tubes available in choice of 3200K (warm tubes) or 5600K
(daylight tubes). The fixture is equipped with an integrated professional
ballast that ensures long life, very low noise, stable Kelvin color
temperature, power factor n>0.95%, THD<15% and has an output driving
frequency of 40khz to guarantee flicker-free performance. The power plug connects to the fixture through IEC socket and to the wall socket
through a CEE 7/4 (Schuko) plug. The power cord has a in-line ON/OFF
illuminated switch. Adjustable output via 2 on/off rocket switches located on
the back panel of the fixture that control each group of 2 lamps. In this way
the light output can be adjusted from 100% to 50% without changing the kelvin
color temperature or making fluorescent lamps to flicker. The Cinelight Studio
Cool fixtures are the professional choice for all types of visual media
production from photography to film and video work. This type of fluorescent
lights are the most common TV lights on local and national TV stations. Can be
used mounted on stands or suspended from the ceiling. The Studio Cool series
are recommended for permanent TV studio applications, interviews, TV shows,
news, product presentations, chroma key and other events. Comparative with
FloLight the Studio Cool has a slightly higher output and further throw thanks
to specular mirrors on barndoors and interior reflector and deeper body..
Portable Lights - The
CineFlo line of fluorescent fixtures from Cinelight Equipment is one of the
most common fluorescent light type used on big productions studios, in still
photography and movie pictures. The whole CineFlo line is designed to make your
life easier, to make you work faster and more accurate, and take some of the
guest work out of it. The CineFlo fluorescent fixture provides soft, cool,
flicker-free light like a bounce-source, and has also the features to control
the intensity and spread of the light emitted, by using the built-in barndoors
and included louver or other accessories available from third parties. The fixture
is designed so that, if the whole fixture is too bulky for a particular
application, the tubes, wiring harness, and reflector can be quickly stripped
out of the fixture and employed in any number of configurations as needed. The
fixtures are lightweight enough to tape to a wall. The housing is made from polycarbonate and
has reinforced ends, making it resistant to the every day abuse on the set. The
lamps, being the most important component of this fixture, give several color
temperatures, primarily the daylight and tungsten. It is very portable, and the
lamps take almost no power so it is a very low power consumption. When you’re
on a location the beauty of using these lights is that you can walk into a
situation when you got a lot of daylight in the room and you can lamp them
daylight or you can get into a situation when you’re working in a studio for
the day so you can lamp them tungsten. The barndoors close for transport or for
shipping and they protect the instrument; they open up and act as barndoors. The
louver will help you to control the spill. Because the light is so soft and
diffused, the light spreads out to vary wide beam. The louver is attached using Velcro and can
be pulled off completely. The detachable lamp harness has 4 different individual
cables, one to each lamp and they’re shorten to the length and color labeled so
that each one only goes to one lamp. This way you won’t have any confusion of
what goes where. The mounting system for the 2ft 4bank is an omni-mount
(MTP-K41) and it’s called the universal mount because it is for the single,
double and 4 bank systems and that would be up to a 4ft size. The omni-mount
has four capture points and a secure lock pin. This mount is designed to work
on a grip head allowing you to position the fixture in virtually any position.
With the optional baby-receiver mount (MTP-B41) you can get the grip head off
and mount it directly on the top of the stand. The ballast is manufactured from
high quality components with performance and durability same as higher cost competitors. The ballast is
designed to operate the lamps at 24'000 Hz, 400 times faster than traditional
ballasts. The reason for that is that it is a very high frequency and it keeps
out of range of a normal 60 Hz pattern which creates flicker, very critical
when you’re shooting films. Flicker free at any shutter speed. The ballast has
4 separate switches to control each lamp individually so you can adjust the
light output without color shifting the lamps color temperature (K). CineFlo
Bank Select ballasts (four-bank and double-bank) feature an additional
high-output/standard-output toggle switch. Use the high-output setting for 4-ft
(75W) lamps and the standard setting for 2-ft (40W) lamps so you can use the
same ballast on 4FT fixtures and 2FT fixtures. Includes an easy to change power fuse that
protects the ballast against electrical shocks. These instruments are truly the
workhorses of the industry, for all blue/green screen work all over the world,
regardless if it is a motion picture, commercial or any other field.
LED Lights
Camera LED - The
CamLED 144 Bi-Color is a compact, yet powerful, on-camera LED light that
combines the cool to the touch LED technology with the ability to adjust the beam
in both color and intensity. On CamLED 144 Bi-Color the color temperature can
be varied from 3200K (warm color) to 5600K (daylight color) using the built-in
variable switch that mixes the 72 pcs 3200K LEDs with the 72 pcs of 5600K LEDs.
The process is controlled by a microprocessor that ensures constant brightness
of unit and smooth transition between colors or dimming. The Cinelight CamLED 144
Bi-Color kit comes with everything you’ll need in a handy Cordura bag: lamp
head, Li-Ion battery 2200mAh, charger AC 100V-250V and DC 12V, diffusion
acrylic filter, pan-head. The system offers an efficient snap-on battery - Sony
DV mount. This broad lighting source is ideal to be mounted on a camera or any
place that calls for a highly portable softlight. Measuring just 13.5 x 8.5 x
3.5 cm, the head weighs only 200g. The Cinelight CamLED 144 housing comes
outfitted with an integrated camera shoe mount. An additional metal pan-head is
included in the kit to allow panning and tilting the CamLED when mounted on
camera. The same pan-head allows the unit to be mounted on a light stand using
the 1/4" thread. For multi-panel
configuration the CamLED is designed to be stacked as bricks or, using the
optional T-Bar, a large LED panel can be created on a light stand. This simple
to use LED light is the perfect fixture to use for both photo and video
applications, suitable for indoor and outdoor photography.The great qualities
of this new lighting fixture can make the Cinelight CamLED 144 to become an
integral part of television, broadcast news & motion picture productions
worldwide.
Studio LED - The
CineLED Box 4FT 4Bank combines all the benefits of LED technology with the most
common fluorescent light design used on big productions studios. The CineLED
Box 4FT 4Bank fixture provides soft,
flicker-free light like a bounce-source. The built-in barndoors and the
included louver help shaping the light spread and also protect the LED tubes
during transport. The CineLED Box consists of the 4FT lamp housing with wiring
harness and reflector, the Bi-Color LED tubes and the externaldimming & DMX
ballast. The main advantage of using this type of light is given by the 4 FT
Bi-Color LED tubes relative to the traditional fluorescent lamps. The LED tubes
are significantly less fragile than the fluorescent lamps due to their unique
construction: aluminum shell with "milk" (very soft) diffusion cover.
This type of housing has the advantage of maintaining the same light
characteristics as the fluorescent tubes.
The expected life time of the 4FT LED tubes is 25 times higher than on
the Kino Flo True Match lamps (50'000 hours of continuous use instead of 2000
hours) that translates to significant savings when using the CineLED Box. Just
multiply 25 lamp changes with the cost of a single fluorescent lamp and the
price difference will be noticeable. Above all, the 4FT LED tube has both 3200K
and 5600K LEDs in one housing that can be switched and combined by a single
push of a button, eliminating the elaborated process of re-lamping the fixture
to change the color temperature. The high CRI (90+ RA) SMD LED tubes provide a
flicker-free experience at high speed rates (studio tested at 3000 fps). Also, the 4FT LED lamps draw less power than a fluorescent lamp
(40W instead of 75W) while providing a higher light output. The external
ballast with integrated DMX digital controller is manufactured from high
quality components with great performance and durability. The built-in digital display shows the
brightness values and the DMX address and allows the user to save different lighting
presets. The built-in dimmer control helps dimming the light output from 100%
to 0% while maintaining a constant color temperature. The CineLED Box 4FT can
be powered from external batteries using the BVCU adapter when shooting in
locations with limited or unavailable AC power source. The CineLED Box 4Ft
housing is made from polycarbonate and has reinforced ends, making it resistant
to the everyday use on the set. The fixture itself is lightweight enough to be
taped on the wall so handling this type of light shouldn't be a problem to no one.
Sharing the same construction design as CineFlo / Kino Flo 4FT 4Bank, the
CineLED Box 4Ft 4Bank fixture housing, harness, cables and accessories are
cross-compatible.
Fresnel LED - The
Junior LED Fresnel's series provides a powerful, high quality and high CRI
light that looks great with today's digital cameras. They are the ideal
combination of classic Fresnel characteristics and all the advantages of latest
LED technology. The fixtures have been designed on the same body chassis as
traditional tungsten Junior series with consideration for the accessories users
may already own from the incandescent models. Barndoors, scrim kits, filter
frames, softboxes or snoots all can be used with the new Junior LED fixtures. The
units are manufactured using the latest MASM technology (multi array surface
mount) and adopt high quality and precise 3 layers optical elements for a clean
and crisp beam spread. The Junior LED Fresnel fixtures are totally silent as no
fans are used to cool down the LED; instead, a smart thermal cooling design
with sealed gas is used as on high end computers. No fans means no noise coming
from the fixture and virtually no maintenance is needed. The LED life span also
reaches up to 50'000+ hours of use equivalent to 15 years of day by day use /
10 hours a day. The full metal body
housing is made using a series of light weight aluminum extrusions with
aluminum corrosion resistant castings and steel parts ensuring a sturdy and
robust construction for years to use in a professional environment. The
Cinelight LED Fresnel's are equipped with built in DMX 512 controller with
single, master & slave functions, allowing for the brightness and color
temperature to be controlled remotely from a console making them perfect for TV
studio installations, theaters, stages or conference rooms. The lights run with low power consumption, so
are extremely well suited to run on battery power, ideal for professional
videographers, filmmakers and broadcast productions. Cinelight Junior LED
Fresnel fixtures come equipped with a low voltage 24V DC socket for battery
connection in addition to the main powered plug. Optional battery voltage
converter unit (BVCU) is available for installing 14.8V V-Lock batteries to
power the lights. Shooting slow motion?
No problem! The Junior LED series are flicker free and tested at 3'000 fps. Travelling
all over the world? Again problem! The Junior LED series are universal voltage
capable AC 90V-240V and the IEC connector allows for fast change of power cable
with local models.
http://www.cinelight.com/
No comments:
Post a Comment