This Blog primarily acts as a sort of reference for myself to refresh my knowledge over my studies at CCAD. Essentially it is a custom encyclopedia to help me learn and understand the information i need to progress. Some posts do contain sources from the internet, either partially or as a whole; these posts are just information that has peaked my interest while browsing.
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Saturday, 28 February 2015
Friday, 27 February 2015
Live Brief - Edit Decision List
Thursday, 26 February 2015
Live Brief - Production Meeting 5
PLANNING
& ACTION MEETING NOTES
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Programme(s) or meeting purpose: Mini
De-briefing for Johnston Press Promo
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Date: 04/03/2015
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Time: 13:05
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Place: Room 23
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Present: John, Danny, Abbey, Chloe, Jacob and Andrew
Programme Leaders:
Student Reps: (if applicable) Abby
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NB: see final page
for actions arising
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Action
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1
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Apologies
None
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N/A
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2
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Chair’s
opening remarks
None
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N/A
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3
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Previous
minutes
Ensure equipment is ready for Monday morning.
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Completed by all.
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4
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Ensure all crew
can get to CCAD before departure time.
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Completed by all.
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5
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Make sure all
paperwork is also ready for Monday’s shoot.
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Completed by John.
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6
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Upload all
footage to the Edit-Suite ready for editing.
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Completed by all.
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7
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Complete Edit
Decision List.
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Completed by John and Danny.
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8
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Show footage to
Crew.
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Completed.
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9
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De-Brief Crew on
work.
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Completed by John.
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10
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Tuesday, 24 February 2015
Script Writing - Script Breakdown
In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced to lists in order to schedule and budget the production for design elements of a screenplay.
The process of breaking down the script occurs after the producer reads through the screenplay once. The producer or a first assistant director reviews the script, and marks certain elements that need to be taken care of before production, or even before pre-production can begin.
Each scene, as per slug line, is measured into 1/8s of a page by its number of inches. Most pages of a screenplay are eight inches, so each inch is an 1/8. The number of 1/8s is then marked in the top left corner of the scene, and circled.
To ease future production, an assistant director marks the elements found in each scene. This process repeats for each new scene. By the end, the producer will be able to see which scenes need which elements, and can begin to schedule accordingly. The film industry has a standard:
Cast: Any speaking actor
Stunts: Any stunt that may require a stunt double, or stunt coordinator.
Extra (Silent bits): Any extra needed to perform specifically, but has no lines.
Extra (Atmosphere): Any extra or group of extras needed for the background.
Special Effects: Any special effect required.
Props: All objects important to the script, or used by an actor.
Vehicles/Animals: Any vehicles, and all animals, especially if it requires an animal trainer.
Sound Effects/Music: Sounds or music requiring specific use on set. Not sounds added in during post.
Wardrobe : Specific costumes needed for production, and also for continuity if a costume gets ripped up, or dirtied throughout the movie.
Make-up/Hair: Any make-up or hair attention needed. Common for scars and blood.
Special Equipment: If a scene requires the use of more uncommon equipment, (e.g. crane, underwater camera, etc.).
The process of breaking down the script occurs after the producer reads through the screenplay once. The producer or a first assistant director reviews the script, and marks certain elements that need to be taken care of before production, or even before pre-production can begin.
Each scene, as per slug line, is measured into 1/8s of a page by its number of inches. Most pages of a screenplay are eight inches, so each inch is an 1/8. The number of 1/8s is then marked in the top left corner of the scene, and circled.
To ease future production, an assistant director marks the elements found in each scene. This process repeats for each new scene. By the end, the producer will be able to see which scenes need which elements, and can begin to schedule accordingly. The film industry has a standard:
Cast: Any speaking actor
Stunts: Any stunt that may require a stunt double, or stunt coordinator.
Extra (Silent bits): Any extra needed to perform specifically, but has no lines.
Extra (Atmosphere): Any extra or group of extras needed for the background.
Special Effects: Any special effect required.
Props: All objects important to the script, or used by an actor.
Vehicles/Animals: Any vehicles, and all animals, especially if it requires an animal trainer.
Sound Effects/Music: Sounds or music requiring specific use on set. Not sounds added in during post.
Wardrobe : Specific costumes needed for production, and also for continuity if a costume gets ripped up, or dirtied throughout the movie.
Make-up/Hair: Any make-up or hair attention needed. Common for scars and blood.
Special Equipment: If a scene requires the use of more uncommon equipment, (e.g. crane, underwater camera, etc.).
Live Brief - Emergency Contacts
To keep organised and in case of emergencies i compiled a list of contacts for all crew members for during shooting on 23-02-2015
John Hartill
Contact: 07814122xxx
Emergency Contact: Mother – 07792259xxx
Abby Colclough
Contact: 07722084xxx
Emergency Contact: Father – 07792289xxx
Daniel Bolton
Contact: 07456489xxx
Emergency Contact: Father - 01642 504xxx
Jacob Moorfoot
Contact: 07985228xxx
Emergency Contact: Mother – 0793316xxx
Chloe Lowe
Contact: 07943139xxx
Emergency Contact: Father – 07796676xxx
Andrew McAnaney
Contact: 07910419xxx
Emergency Contact: Home – 01915 516xxx
Live Brief - Journal of Contacting
Durham Cathedral
Contacted Durham Cathedral Office on 01913 864266. We were
put in contact with a member of their office called Ruth Robson and given
another number (01913 744054). We contacted Ruth and received verbal
confirmation at 12:43pm on 17/02/2015. A copy of the Johnston Press Cover
Letter was sent along with a release form to an email address Ruth provided
[ruth.robson@durhamcathedral.co.uk] to hopefully get a full confirmation. We
will also take a copy of the release form to be signed during our shoot to
their office in Durham which is, The Cathedral Office, the College, Durham, DH1
3EH.
Durham Castle
We phoned Jane Gibson on 01913 343803 to request permission
to film Durham Castle. This was to the Durham World Heritage Site Visitor
Centre. We were redirected to Durham Council Media relations, part of Durham
University due to the Castle being owned by them. We have made contact and can
also possibly give permission for certain streets in Durham to allow us to film
in; this was done via email after a brief discussion on the phone (media.relations@durham.ac.uk and
01913 346075 respectively). We are still awaiting a reply (18/02/2015-10:25am).
Durham Streets (Council)
We contacted Durham Council on 03000 260000 (general
enquiries), it took us five attempts to navigate through the automated call
system. After half an hour we eventually got to speak to an actual person. When
it was discussed to the member of the council they got confused to the point of
the phone call, and increasingly became frustrated with our students. This
resulted in us explaining several times and them putting the phone down.
Luckily we had contact with Durham Council Media Relations who are now looking
into the process to get verbal permission to shoot in the town centre. There is
other locations that might not need permission for that will still allow us to
capture the busyness of Durham and also Elvet Bridge.
Hadrians Wall, Hexham
Hadrians Wall Heritage Site was contacted by phone on 03703
331181. They put us in contact with Neil Parry, who gave us verbal permission
for non-commercial use. This lead to us contacting him again to explain it was
for non-profit commercial use. He asked if we could send him details via email
at neil.parry@english-heritage.org.uk.
We are still waiting for a response at this time (18/02/2015 – 10:28am)
Alnwick Castle and Gardens
We contacted Alnwick Castle by phone on 01655 511350 to
request permission to film the exterior of the castle, and of Alnwick Gardens.
They gave us contact information for Rachel Bell on 01665 510777 in regards to
getting permission to film in the gardens; we also got told that Alnwick Castle
is still privately owned and you would need permission from its owner (Duke of
Northumberland). We were also given a contact to help with gaining permission
to shoot Alnwick Castle, Kate Woolmore with her email address
kate.woolmore@alnwickcastle.com. We
tried ringing Rachel Bell but she was in a meeting, her receptionist took our
details and would call back as soon as possible (17/02/2015-01:25pm). We still
haven’t had a call back (18/02/2015-11:00am), if we have had no contact by
19/02/2015-11:00am we will try to contact her again over the afternoon. We have also emailed Kate Woolmore (17/02/2015-01:37pm) and are awaiting a
response about filming the exterior of Alnwick Castle.
Live Brief - Script Breakdown Durham
S C R I P T B R E A K D O W N S H E E T
02/02/2015
Date
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Live
Brief - Northeast –Durham &
Northumbria
Production Title
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Page 1 of 1
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TBC
Director
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CCAD
Production
Company
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TBC Producer
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Shot No.
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Dialogue
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Scene Descriptor
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Camera notes
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Durham
Cathedral
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Make sure to capture foliage surrounding.
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Slightly low angle, High focus and zoomed in. Moving to the left to
create a small brief pan
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Durham
Cathedral
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Nice clear shot.
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Panning around the side of the Cathedral. Time lapse to speed it up?
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Get the full door in the frame at least.
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Track through to the Sanctuary Knocker
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Durham
Cathedral
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Focus on the Sanctuary Knocker, tight shot.
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Durham
Castle
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Capture as much of the exterior as possible
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Track through towards entrance
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Durham
Castle
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Capture as much of the exterior as possible
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Durham
Market
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Quick Pan across the stalls.
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Durham
Street
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Ronin
Gimble to be used for a ‘guide’ through the streets.
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Track
along pathway using the ‘Ronin’
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Live Brief - Production Meeting 4
PLANNING & ACTION MEETING
NOTES
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Programme(s) or meeting purpose:
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|||
Date:
20/02/2015
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Time:
13:45
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Place:
Room 23
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Present:
John, Danny, Abby, Jacob, Andrew and Chloe
Programme
Leaders:
Student
Reps: (if
applicable) Abby
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|||
NB: see final page for actions arising
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Action
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1
|
Apologies
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N/A
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2
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Chair’s
opening remarks
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N/A
|
3
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Previous
minutes
Contact was made to all appropriate bodies for
permission to film on the relating properties. Still awaiting responses from
some place.
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All
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4
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Script Breakdowns were finalised for film day
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Danny/Abby
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5
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Contact sheet was created for bodies relevant to
locations.
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John
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6
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Release forms prepped for being on location.
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John
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7
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Journey plan was completed alongside maps, and
directions for locations
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John
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8
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ACTIONS TO ATTEND TO:
Next Meeting: 5
Date: 26/02/2015
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Action
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Name
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1.
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Ensure equipment
is ready for Monday morning.
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All
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2.
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Ensure all crew
can get to CCAD before departure time.
|
All
|
3.
|
Make sure all
paperwork is also ready for Monday’s shoot.
|
John
|
4.
|
Upload all
footage to the Edit-Suite ready for editing.
|
All
|
5.
|
Complete Edit
Decision List.
|
John/Danny
|
6.
|
Show footage to
Crew.
|
John
|
7.
|
De-Brief Crew on
work.
|
John/Danny
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8.
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